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영국 옛날 그림들...여자, 연인 혹은 사람들 본문
A Pensive Moment by William Oliver | ||
An upright oil on canvas, signed and dated W. Oliver
1883 to the lower left., and inscribed A snake in the grass, on the
reverse. The subject is a barefoot maiden walking on a mossy bank, raising her skirt up, whilst holding on to an overhead branch. William Oliver, a London based artist, flourished between 1867 and 1882, he painted figurative subjects, mostly half length figures of girls. He exhibited 15 works at the Royal Academy. Titles of his paintings include: A Thing of Beauty is a Joy Forever and A Love Test. He also exhibited at the British Institute and the Society of British Artists, Suffolk Street. Biblio: C. Wood Dictionary of Victorian Painters |
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Portrait of Mrs. Hargreave
by Attributed to Sir Joshua Reynolds | ||
Sir Joshua Reynolds 1723–92, English portrait painter, born in Devonshire. Long considered historically the most important of England's painters; by his learned example he raised the artist to a position of respect in England. Reynolds studied painting in London and in 1742 began as a portraitist in Devon. He was able to study the Italian masters when Commodore Keppel, a friend, took him to Italy in 1749. After three years of study and travel, Reynolds returned and took London by storm. Intensely ambitious, Reynolds used his wit and charm as well as his artistic talents to advance himself, and within a year he was besieged with portrait commissions and was employing assistants. He maintained a gallery not only of his own works but also those of Old Masters whose paintings he bought and sold. He entertained the world of wealth and fashion and the great literary figures of the day. When the Royal Academy was founded in 1768, Reynolds was inevitably elected President and was knighted the following year. He is best represented in the National Gallery, London, but examples of his work are to be seen in the Metropolitan Museum of Art; the Museum of Fine Arts, Boston; the Cleveland Museum of Art; and the Art Institute of Chicago. Biblio: Benezit Encyclopedia of Artists and Sculptures |
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Portrait of a Boy with Faithful
Companion by Circle of Sir Godfrey Kneller | ||
This oil on canvas, is from the circle of Sir Godfrey
Kneller(1646-1723). It depicts a boy dressed in a Van Dyck costume, with his faithful greyhound by his side. Sir Godfrey Kneller was an English/German Baroque era painter who specialized in portraits. He studied under Ferdinand Bol and Carlo Maratta. A leading portrait painter in England, he served all the rulers from Charles II to George I while also portraying Louis XIV and Peter the Great. Born in Lübeck as Gottfried Kniller, he trained in Amsterdam, probably under Ferdinand Bol, and in Rome. After arriving in London in 1676, he established himself as a baroque classicist portrait painter to court society, successfully competing with and then succeeding Peter Lely. Kneller’s series of ladies’ portraits, the so-called ‘Hampton Beauties’, was a response to Lely’s ‘Windsor Beauties’. Kneller’s other series include 14 portraits of admirals, commissioned from him and Dahl by Queen Anne and Prince George of Denmark (circa 1702–08, National Maritime Museum, London) and more than 40 portraits of members of the Kit-Cat Club (circa 1700–20, National Portrait Gallery, London). The Kit-Cat series set a lasting and much imitated format of a small half-length with a plain background. His talent was greatly admired and officially recognized. Appointed Principal Painter to William III and Mary II in 1689, he initially held this position jointly with John Riley. His knighthood three years later was followed in 1715 by a baronetcy, the first to be conferred on a painter. Kneller was assisted by many young artists and the output of his studio was vast and of uneven quality. Although concerned mostly with his own career, he patronized young artists and looked after their training. In 1711 he founded the Academy of Painting in London and became its first governor. His work can be found in many museum collections worldwide, including the Hermitage in St Petersberg. |
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Swinging the Day Away by William Gill | ||
One of a pair: an oil on panel of a rural landscape,
with seven children playing on a country lane, with one of the girls on a swing
tied between two tree branches. This one signed and dated in the right hand
corner: W. Gill 1864 Leamington. William Gill: flourished 1826-1869 Portrait and genre painter, living in London and Leamington, who exhibited from 1826-69 at the Royal Academy (18), from 1827-54 at the British Institution (22), and the Royal Society of British Artists at Suffolk Street (46). Titles at The Royal Academy: Listening to the violin, Blowing the bubbles, etc. Gills work, like that of Webster and the Cranbrook Colony, was a continuation of the genre tradition of David Wilkie. Bibl: The Dictionary of Victorian Painters, by Christopher Wood published by the Antique Collectors Club 1978 |
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The Fruit Seller by Johannes Christoffel Vaarberg | ||
This oil on panel, by known Dutch painter Johannes
Christoffel Vaarberg, depicts a woman selling fresh fruit by candlelight. It is
signed and dated 58. Johannes Christoffel Vaarberg, was a painter of genre subjects, born 1825 and died 1871. He was especially well known for his genre scenes that incorporated the use of candlelight. Biblio: Benezit Encyclopedia of Artists |
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Reading the News by Vernon de Beauvoir Ward | ||
Vernon de Beauvoir Ward was a British artist born in 1905. Very little is known of his personal life. However, what cannot be doubted is his skill in painting charming and beautifully executed genre scenes. This oil on canvas, entitled "Reading the News", is presented in its original frame. Ward lights up the composition from within with the use of a glowing fire, handling light and shade with great delicacy. |
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Sea Stories by Vernon de Beauvoir Ward | ||
Vernon de Beauvoir Ward was a British artist born in 1905. Very little is known of his personal life. However, what cannot be doubted is his skill in painting charming and beautifully executed genre scenes. This oil on canvas, entitled "Sea Stories", is presented in its original frame. Ward skilfully uses the views, through the door and window, to create a sense of depth to this scene, capturing the happy interaction between three nautical men. |
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The Pretty Rose by Joseph Rubens Powell | ||
Joseph Rubens Powell exhibited at the Royal Academy in London from 1835-1858, and became known for his Genre and Classical scenes. Today little is known of his personal life, although he did have a long and successful career as an artist and became a popular painter. This Oil on Canvas is a good example of his charming style. |
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The Summer's Wash by Louis Chevalier | ||
Louis Chevalier was born in 1865 in France and was a pupil of the great French Master Jean-Leon Jerome. Jean-Leon Jerome’s influence can be seen in Chevalier's precise observation. Chevalier was a member of the Salon d’Automne and his commissions included several murals in the Military Academy in Paris. His work now hangs in Museums in France. This signed Oil on Canvas is an excellent example of his work and is presented in its original gilt frame. |
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Learning to Sew by Follower of Thomas Webster | ||
Although by an unknown artist this colourful Oil on
Canvas is finely painted in the Dutch Genre Style. This style of painting was
made fashionable in the second half of the Nineteenth Century by the British
artist Thomas Webster, a member of The Royal Household.
Followers of Webster formed a group in Cranbrook, Kent, where artists would
meet for the summer to paint Genre Scenes of everyday life. The group became
known as the Cranbrook Colony and many leading British artists joined this
artistic colony at some stage in their careers. |
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Figures on A Beach by S. Kern | ||
Stephan Kern was born in Buhlertal in Germany in 1860. He studied at the Academy of Fine Arts in Berlin and later became a regular exhibiter at the Salon in Berlin. This signed and dated Oil on Canvas of 'Figures on A Beach' is presented in its original Gilt-Wood frame. |
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Bringing Back The Reeds
by S. Kern | ||
Stephan Kern was born in Buhlertal in Germany in 1860. He studied at the Academy of Fine Arts in Berlin and later became a regular exhibiter at the Salon in Berlin. This signed and dated Oil on Canvas of 'Bringing Back The Reeds' is presented in its original Gilt-Wood frame. |
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Portrait of Mlle. Yvonne Brandus
by Antonio Torres | ||
Antonio Torres was a Spanish artist born in 1851 who painted Portrait and Genre scenes. He exhibited over a short period, yet gained a good reputation and received regular commissions. In this Portrait, he captures not only the image of the lady, but also the elegant style of the period in which they lived. |
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Portrait of a Gentleman
Architect by Attributed to Alexander Roslin | ||
Although Born in Sweden in 1718 Alexander Roslin made his name as a Portrait artist in France. A prominent member of the Royal Academy in France he quickly became a favourite of Madame de Pompadour, Louis XVI’s mistress, and painted many Portraits of the French Aristocracy. His work can be found in important collections and museums throughout Europe. |
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Portrait Of a Young Girl
by English School | ||
Circle of Joshua Reynolds. |
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Portrait of a Young Girl
by English School | ||
Circle of Joshua Reynolds. |
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A Pastel of a Naval Officer | ||
A charming portrait of a Naval Officer executed in pastel on paper laid down on board. |
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A Pastel of a Lady Seated | ||
A charming portrait of a beautiful young Lady executed in pastel on paper laid down on board. |
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A Pastel of a Naval Officer | ||
An impressive pastel portrait of a Naval Officer on paper laid down on board. |
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Pastel of a Girl & Dog | ||
A charming portrait of a girl and her faithful companion executed in pastel on paper laid down on board. |
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