[스크랩] Re:Mary Cassatt....여류화가(1844-1926)

모성애를 그린 화가로도 유명하지만 그녀의 그림은 따뜻하고 밝고, 색감이 풍부해서

제가 아주 좋아합니다.  그녀의 다른 작품들을 소개해볼게요.

 

"...Mary Cassatt especially liked children, doting on her nieces and nephews and the offspring of friends. Naturalism and sensuality of a pure, elemental, and nonsexual sort are the hallmarks of Cassatt's portrayals of childhood during the 1880s and 1890s. An example is Children on the Shore, which she showed at the last Impressionist exhibition, in 1886. While this seaside subject is unique in her oeuvre, the close-up focus on the pair of toddlers and the firm draftsmanship are typical of the artist's style in the 1880s. In his review of the exhibition, Gustave Geffroy commented on this painting: "[It] has the sharp outline that things and people have on the sand with the background of water and sky. The short arms and the dollish faces let you guess the flesh under a thick laver of suntan." In the same review, Geffroy also responded to the sensuousness of Cassatt's rendering of youngsters in Children in a Garden, likening them to "flowers in the heat."

 

 

 

 

Cassatt, Mary
Children on the Beach
1884
Oil on canvas
38 1/2 x 29 1/4 in (97.6 x 74.2 cm)
National Gallery of Art, Washington             "The physicality in Cassatt's work seems to have made some uncomfortable. Eloquently capturing a moment between rest and play, Portrait of a Little Girl portrays the daughter of friends of Degas in an interior with Cassatt's dog. Cassatt submitted the painting to the American section of the 1878 Paris Exposition universelle: its rejection enraged her. The jury could have been affronted by the girl's insouciant sprawl: she has flopped into the chair, looking hot, disheveled, exhausted, even bored. With her clothing pushed up to reveal her legs and petticoat and her left arm lifted and bent around her head, the young model can be perceived as totally unconscious and innocent or as coquettish and sexually precocious. Harriet Chessman argued that the girl's pose derives from the traditional, erotic odalisque and thus was intended to foreshadow her adult sexuality. But in fact it seems that the attraction of this image lies in its naturalism. Children are less self-conscious than adults; they continually, rearrange their clothes and limbs and are often unaware of social conventions. Thus the work can be seen to reflect the then-current view of children as pure and unfettered beings. The jury may have objected to the artist's radical handling of the background. As in her domestic interiors of the time, she reduced spatial depth by choosing a sharp, high angle for the floor, crowding the chairs together, and abruptly cropping the windows. Again, as in Children on Shore, the viewpoint from which the subject is observed is low and empathetic - the same level from which a child would see. 이 그림이 드가의 딸을 그린 것이군요.  

Cassatt, Mary Portrait of a Little Girl 1878 Oil on canvas 89.5 x 129.8 cm National Gallery of Art, Washington

          Cassatt, Mary
Portrait of a Lady
1877
Oil on canvas
85.7 x 65.2 cm
National Gallery of Art, Washington       연대순으로 그녀의 작품들을 보겠습니다.       Cassatt, Mary
Woman Standing, Holding a Fan
1878/79
Distemper with metallic paint on canvas
128.6 x 72 cm
Private collection           Cassatt, Mary
Lydia in a Loge, Wearing a Pearl Necklace
1879
Oil on canvas
31 5/8 x 23 in (80.3 x 58.4 cm)
Philadelphia Museum of Art           Cassatt, Mary
Le the (Five O'Clock Tea)
1880
Oil on canvas
25 1/2 x 36 1/2 in (64.7 x 92.7 cm)
Museum of Fine Arts, Boston          

Cassatt, Mary Autumn 1880 Oil on canvas 93 x 65 cm Musee du Petit Palais, Paris

        Cassatt, Mary
Lydia Crocheting in the Garden at Marly
1880
Oil on canvas
26 x 37 in (66 x 94 cm)
Metropolitan Museum of Art, New York          

Cassatt, Mary Self-portrait c. 1880 Watercolor on ivory wove paper 33 x 24 cm National Portrait Gallery, Washington

          Cassatt, Mary
Lydia Seated at an Embroidery Frame
1880/81
Oil on canvas
65.5 x 92 cm
Flint Institute of Arts, Michigan            

Cassatt, Mary Driving 1881 Oil on canvas 89.3 x 130.8 cm Philadelphia Museum of Art

          Cassatt, Mary
Woman in Black (Femme en noir)
c. 1882
Oil on canvas
100.6 x 74 cm (39 3/4 x 29 in.)           Cassatt, Mary
Lady at the Tea Table
1883
Oil on canvas
73.4 x 61 cm
Metropolitan Museum of Art, New York           Cassatt, Mary
Young Girl at a Window
c. 1883
Oil on canvas
100.3 x 64.7 cm
Corcoran Gallery of Art, Washington          

Cassatt, Mary Girl Arranging Her Hair 1886 Oil on canvas 29 5/8 x 24 5/8 in. (75.1 x 62.5 cm) National Gallery of Art, Washington, DC

          Cassatt, Mary
The Bath
1890-91
Drypoint and aquatint on cream laid paper
36.8 x 26.3 cm
The Art Institute of Chicago          

Cassatt, Mary The Lamp 1890-91 Drypoint and aquatint on cream laid paper 32.3 x 25.2 cm The Art Institute of Chicago

          Cassatt, Mary
The Letter
1890-91
Drypoint and aquatint on cream laid paper
34.5 x 21.1 cm
The Art Institute of Chicago           Cassatt, Mary
Young Woman Trying on a Dress
1890-91
Drypoint and aquatint on cream laid paper
37.7 x 25.6 cm
The Art Institute of Chicago          

Cassatt, Mary Young Women Picking Fruit 1891/92 Oil on canvas 132 x 91.5 cm Carnegie Museum of Art, Pittsburgh

         

Cassatt, Mary Child Picking a Fruit 1893 Oil on canvas 100 x 65 cm Virginia Museum of Fine Arts, Richmond

          Cassatt, Mary
The Boating Party
1893-94
Oil on canvas
90.2 x 117.5 cm (35 1/2 x 46 1/4 in.)
National Gallery of Art, Washington            

Cassatt, Mary The Banjo Lesson 1893/94 Pastel over oiled pastel on tan wove paper 72.2 x 58.6 cm Virginia Museum of Fine Arts, Richmond

          Cassatt, Mary
Summertime
c. 1894
Oil on canvas
100.7 x 81.3 cm
Terra Foundation for the Arts            

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