From Now On...
Ryan Bongers 본문
Ryan Bongers/Alchemy IV (Tools of the Trade)/oil on canvas
Amanda Red/oil on board
Anna Debut/oil on canvas
Anna in Winter/ oil on canvas
Anna New Old Hat/oil on canvas
Arabian Sisters(Dyptich)/oil on canvas
Artist as a Clown / oil on board
Asian pot Triptych/oil on board
Autumn Stream/oil on canvas
Birch Grove Denmark/oil on board
bottles and lemons diptych/oil on board
Casper/oil on board
Colorado Evening/oil on canvas
Contemplation/oil on canvas
David/oil on board
Desert Moon/oil on canvas
Field, Dawn/oil on board
Field, Denmark/oil on board
Field, Dusk/oil on board
Gila's Lake/oil on board
Girl with Red Band/oil on board
Herbert 2/oil on board
Herbert Profile/oil on board
Home/oil on canvas
Ine/oil on board
Ine-Headdress/oil on canvas
Karlotta/oil on board
Lime and Butterfly/
Man in a Red hat/oil on board
Mandarins Box/oil on board
Musicians I /oil on canvas
Olgar's Bag/oil on canvas
Portrait of Miss S/oil on board
Port/oil on linen
Red Tree Bellin/oil on board
Second Stage/oil on canvas
Self Portarit Raven/oil on canvas
Solitaire/oil on board
Spain II/oil on board
Steve/oil on canvas
Stinna/oil on board
Studio Corner/oil on canvas
Vanesa/oil on canvas
Ryan Bongers was born in From 1990 until 1993, he attended the Pennsylvania School of Art and Design, studying privately with Richard House, a classical painter who trained only a small number of selected students in the style of the old masters. In 1994, Ryan continued his studies at the prestigious Florence Academy of Art in Working in oil, Ryan’s painting focuses mainly on figurative works, with an occasional still life or mindscape. He sees his paintings as attempts to be as open and honest about his subject matter as possible. Each painting has its own source or inspiration, whether from a direct personal contact or a simple study of a thing discovered. Regardless, Ryan strives to capture the essence of each subject without pretense. While some of his paintings are reminiscent of the old masters, others are surprisingly off beat. All are perfectly executed, highly atmospheric, very personal and often haunting. After several years painting in the Since 2006, Ryan’s work in the
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