유러피언 아트 갤러리 그림들

 

 

Albert Bartholome Gathering Grain  63 3/4 by 51 inches, Signed,

 

Albert Bartholome

Albert Bartholome studied law and fought in the Franco-Prussian war before attending the Ecole des Beaus-Arts in Geneva and devoting the rest of his life to painting. He worked alone in a naturalistic manner heavily influenced by Jules Batien-Lepage, with his insistence on working in the open air rather than in the studio. He exhibited for eight years at the Salon des Artistes Francais before becoming vice-president and then president of the Societe Nationale des Beaux-Arts.

 

 

 

 

 

William H. Bartlett An Idle Afternoon Oil on canvas, 22 1/2 by 36 inches, Signed and dated,

 

William H. Bartlett

Born in London, William H. Bartlett initially became a painter of domestic scenes and interiors. He studied under Gerome at the Beaux-Arts School in Paris, where he favored painting genre scenes, continental views and sporting subjects. He became a recognized artist there, showing at the Salon of French Artists. Bartlett also exhibited works at the Society of British Artists and Royal Academy from 1880, and at the Grosvenor Gallery and New Gallery from 1888. He won a silver medal at the Universal Exposition of 1889 and also became an officer of the Legion of Honor.

 

 

 

 

Alfred Bastien Vase of Flowers Oil on Canvas, 31 X 27 inches, Signed,

$ 28,000

 

 

 

Alfred Bastien

After attending the Academies of Gent and Brussels, Bastien spent time at the Beaux-Arts in Paris. There he studied the paintings of Courbet and Delacroix. He was also influenced by the Impressionists. Like the Impressionists, he focuses on the affects of light and developed a discrete luminism that characterizes his portraits and landscapes. Bastien taught at the Brussels Academy where he became Director in 1928

 

 

 

 

George Bernasconi Meeting of the City of Birmingham Pharmaceuticals Oil on Canvas, 27 X 60 inches, Signed,

 

George Bernasconi

George Bernasconi was a London painter of portraits and genre scenes. He exhibited between 1861 and 1866 at the Royal Academy, during which the Victorian period was at the height of its power and influence. He also exhibited at the British Institution which was established as a rival to the Royal Academy and was located at Boydell's Shakespeare Gallery in Pall Mall, London, and the Royal Society Of British Artists, Suffolk Street. Titles known to have been exhibited at the Royal Academy were "What Does She Think of the Open Book?", 1861, and "The Sea, The Sea", 1863. His portrait of George Dawson, circa. 1881 is in the Birmingham Art Gallery, England.

 

 

 

 

Lajos Ludwig Bruck The Chess Game Oil on canvas, 22 by 29 inches, Signed,

$ 18,000

 

Lajos Ludwig Bruck

Lajos Bruck was born in Hungary in 1846. He studied art at the Vienna Academy of Fine Art and the Munkacsy. From 1869 he traveled, painting works in Italy, Paris and London. He mainly exhibited his paintings at the Salon in Paris, France and the Royal Academy, London, England, but also continued to show pieces in Budapest and Vienna. At the end of his life he returned to Budapest where he died in 1910. Today his works hang in the National Gallery of Budapest, Hungry, while many others are in private collections across Europe. Bruck gained great favor and recognition with private collectors throughout Europe with his genre and portrait paintings. He was frequently asked to paint commissioned works for wealthy patrons who wished to be portrayed in their favorite settings.

 

 

 

Cecil Leonard Burns Thistledown Oil on canvas, 36 by 30 inches, Signed,

 

Cecil Leonard Burns

Cecil Leonard Burns was a 19th Century British painter of genre scenes, flowers, mythological subjects and portraits. Burns studied under Sir Hubert von Herkomer at the Bushey School of Art. Besides exhibiting works at the Royal Academy and Society of British artists at Suffolk Street, he held the position of Principal of Camberwell School of Arts and Crafts from 1897 to 1899 and was then elected Principal of the Bombay School of Art, where he remained until 1918.

 

 

 

Max Carlier Still Life of Flowers, Fruit, Decanter and Glasses Oil on Canvas, 48 X 32 inches, Signed,

Max Carlier

Max Carlier was a painter of genre scenes and still lifes of flowers and fruit. He mainly worked in Brussels but also traveled and painted a lot across Europe. Today he is known as one of the greatest still life masters of Belgium.

 

 

 

Ernest Castelein Elegance au Chapeau Oil on canvas, 39 X 32 inches, Signed,

 

Ernest Castelein

Ernest Castelein was a Belgian artist born December 3, 1887, in Antwerp. He was a painter who exhibited at the Exposition de Brussels in 1910, and at the Triennials of Brussels and Antwerp. His works were also shown in England.

 

 

 

 

Bernard H. Cobbe Chewing Over the Accounts Oil on Canvas, 13 by 19 inches, Signed,

$ 28,000

Bernard H. Cobbe

A London painter of figures and domestic subjects. He exhibited at the Royal Academy and the Royal Society of British Artists, Suffolk Street.

 

 

 

Catherine Adelaide Edwards An Early Essay Oil on canvas, 20 by 16 inches, Signed with monogram and dated,

 

Catherine Adelaide Edwards The pupil of the Lambeth and R.A schools, and of John O'Connor, Edwards was renowed as a book illustrator, and as a designer of tiles for Lambeth pottery. Also known as Mrs. John Sparkes, her married name, she studied at the Lambeth School of Art, graduating in 1862 and exhibited at the Royal Academy from until 1868

Pierre Felix Fix-Masseau Flowers, Fruit and a Cup of Tea  25 x 31 inches, Signed,

 

 

 

 

 

 

 

William Powell Frith R.A Merry Wives of Windsor Oil on Canvas, 46 X 67 inches, Signed,

 

 

 

 

Vladimir Gusev A Parisian Cafe Oil on canvas, 11 by 16 1/2 inches, Signed,

$ 28,000

A Parisian Cafe shows a lady alone contemplating her book at a cafe sidewalk in Paris. Along with her quiet thought, the artists portrays the expected bustle of figures one would expect to find in this city. The juxtaposition of solitude and socializing is a signature of the atmosphere found in Paris, captured in paintings from the original impressionists to artist's today.

 

 

Vladimir Gusev The Picnic Oil on canvas, 15 by 22 inches, Signed,

 

The picnic depicts two lady's lunching leisurely. They have found a place where time has no meaning. With their picnic almost finished, they have turned their attention to feeding Swans by the lakeside. The elegance of the ladies is reflected in that of the swans.

 

 

Vladimir Gusev

Vladimir Gusev was born in 1957. He studied fine art at the Academy of Fine Arts of Moscow. He was a member of the Surikov Institute with the studio of Viktor. He is a member of the Union of Artists.

 

 

 

David W. Haddon They're only Apples Oil on canvas, 35 1/2 23 1/2 inches, Signed,

David W. Haddon

David W. Haddon was a painter from Birmingham, England. He exhibited at the Royal Society of Artists in Birmingham and the Walker Art Gallery in Liverpool. He flourished during the years of 1884-1911.

 

 

 

 

Charles Edward Halle Francesca Oil on canvas, 44 by 30 inches, Signed,

 

 

 

 

Albert Holden Storey's Gate, London  12 by 18 inches, Signed,

$ 18,000

 

 

 

 

 

George Houston Sledding in the snow  28 x 36 inches, Signed,

 

 

 

 

James Kay The Strand, London Oil on Board, 24 X 20 inches, Signed,

In the Victorian era, the Strand became a fashionable address. Many avant-garde writers and thinkers gathered here, among them Thomas Carlyle, Charles Dickens, William Makepeace Thackeray, John Stuart Mill, Herbert Spencer, and the scientist Thomas Henry Huxley. 142 Strand was the home of radical publisher and physician John Chapman who not only published many of his contemporaries from this house during the 1850s, but also edited the Westminster Review for 42 years. The American poet Ralph Waldo Emerson was also a house guest. The Strand was also the hub of Victorian theatre and nightlife, with many prominent London theaters situated on the famous street, including the Adelphi Theatre, the Savoy Theatre and Vaudeville Theatre, which are still there to this very day.

 

 

 

Mikail Aleksandvovich Kokin Composition on the Terrace Oil on canvas, 21 1/2 by 25 inches, Signed,

 

This still life of a garden setting is characteristic of Kokin's impressionistic style because of the use of color and loose brushstroke. His use of contrast in shadow and light, as well as complementary colors like red and green make this piece vibrant and alive.

 

 

 

 

Yuri Krotov The Beach At Low Tide Oil on canvas, 24 by 18 inches, Signed,

In painting the beach at low tide with figures along the shore, Krotov brings to mind the paintings of the early impressionist painters. The attire also coincides with the fashions of the 1860s.

 

 

 

Edward Ladell Still life, Friut, Flask and Wicker basket Oil on canvas, 10 by 12 inches, Monogrammed and dated, (1859)

 

The decorative qualities of this work provide an excellent example of why Ladell� work has become so sought after in recent years. The constant reapplication of his skills to the study of arranged objects has left us with an oeuvre reminiscent of the work of the great Dutch still life painters of the preceding centuries.

 

 

Marie-Yvonne Yo Laur Les Chantons Curieux Oil on canvas, 32 by 24 1/2 inches, Signed,

 

Marie-Yvonne Yo Laur

Marie-Yvonne Laur was born in Paris in 1879. She was a painter of genre and animal scenes, and became best known for her pictures of cats and dogs. She exhibited works at the Salon of French Artists. She was made a member of the society in 1908 and received an honorable mention. Today her paintings hang in many museums across Europe.

 

 

Lucy Leavers Startled Oil on Canvas, 25 X 34 inches, Signed, (1889)

 

 

Paul-Emile Lecomte March?a Melon Oil on Canvas, 15 X 18 inches, Signed,

$ 18,000

 

 

 

Charles Sillem Lidderdale R.B.A Gypsy Girl Oil on canvas, 21 by 17 inches, Signed with a monogram,

 

 

This haunting portrait is typical of the work of the popular London artist Charles Sillem Lidderdale. The works exhibited at the R.A. during his lifetime often depicted pretty girls in rural settings, and the wistful, dark haired gypsy portrayed here lends an additional emotional resonance to the theme.

 

 

Charles Sillem Lidderdale R.B.A Sara Oil on canvas, 24 by 20 inches, Signed,

 

 

 

 

 

Cleto Luzzi The Admirer Oil on Canvas, 23 X 16 inches,

 

 

 

Cleto Luzzi

Cleto Luzzi came from a wealthy Roman aristocratic family. His relatives included lawyers, cardinals and politicans which enabled Luzzi to pursue his talent securely. Flourishing around the turn of the century, he often painted genre scenes depicting lavish aristocratic gatherings in the style of fellow Italian Vittorio Reggianini. His artistic pursuits took him to Thailand for a period of his life. In 1949, late in his painting career, Luzzi was comissioned to paint the interior scenes within the newly rebuilt 'Parrocchia Santa Maria del Porto'. Located in the Marina de San Vito, Abruzzi on the east coast of Italy, the parish was destroyed during World War II, and Luzzi's major painting work became one of the primary attractions of the new parish. .

 

 

 

Sir William MacTaggart R.S.A Happy Hours Oil on canvas, 18 by 26 inches, Signed and dated lower right,

 

 

Sir John Everett Millais P.R.A Merry Oil on canvas, 36 by 28 inches, Signed with monogram and dated lower right,

 

Sir John Everett Millais P.R.A

Sir John Everett Millais exhibited his first work at the Royal Academy in 1846 at the age of 16. He won several prizes, including the Gold Medal for historical painting in 1847. Together with Holman Hunt and Dante Gabriel Rossetti he formed the Pre-Raphaelite Brotherhood in 1848-1849. In 1853 he was elected ARA, effectively dissolving the Pre-Raphaelite Brotherhood. Millais became the first English artist to be made a Baronet. He was elected President of the Royal Academy in 1896, but died a few months later.

 

 

 

Joseph-Emile Millochau Portrait of a Young Girl Oil on canvas, 40 by 29 inches, Signed lower left,

 

 

 

Robert Nightingale Big Red in Harness Oil on canvas, 19 by 24 1/2 inches, Signed lower right,

 

 

 

 

William Oliver Sisterly Advice  36 by 28 inches, Signed,

William Oliver

William Oliver was a London painter of figurative and genre subjects. Among the works he exhibited at the Royal Academy were 'A thing of Beauty is a joy forever','A Love Test', and 'The Secret Discovered'.

 

 

 

Henry Perrault Hurry Home Oil on canvas, 57 by 45 inches, Signed,

 

 

 

Konstantin Razumov Puppy Love Oil on canvas, 13 X 16 inches, Signed,

 

 

 

 

 

Konstantin Razumov A Young Florist Oil on Canvas, 10 3/4 X 14 inches, Signed,

$ 26,000

 

Konstantin Razumov

Konstantin Razumov studied at the studio of Ilya Glazunov at the Academy of Fine Arts of Moscow. An exciting young artist, Razumov's works are now much in demand. Influenced by many styles, he has mastered the technique of combining both Realism and Impressionism. In most of his figural paintings, the features of hands and face are painted realistically, while fabrics and the surroundings are painted with an impressionist brushstroke.

 

 

 

Albert Roosenboom Contemplation Oil on canvas, 26 X 20 inches, Signed,

In Contemplation, the oriental cupboard, vase, plate and statues show the great interest that had developed at that time in Europe for decorations Chinese and Japanese. The budgerigar had become a very popular house pet, particularly for ladies.

 

 

 

David Sani 19th Century Suppertime Oil on canvas, 33 1/2 X 23 1/2 inches, Signed,

 

David Sani was born in Florence, Italy. He lived and worked there throughout his life. He exhibited his works, mostly genre scenes, very successfully in his home town. Sani's paintings capture a unique look at contemporary Italian life, most often in casual settings.

 

 

William Shayer, Sr. R.B.A Country Life Oil on canvas, 18 by 24 inches, Signed and dated

 

 

 

Victor Tardieu Portrait de Femme Assise Oil on Canvas, 36 1/2 X 29 inches, Signed,

 

Victor Tardieu was a painter of animated compositions, genre scenes, figures, portraits, interiors, urban streets, marines, murals and stained glass. He came from a family in the business of trading silk, his father a fabric draughtsman. Tardieu was a student of the Lyon Academy of Fine Art. In 1889, he moved to Paris. In 1914 Tardieu served as a soldier, with various assignments. In 1921, he was awarded the Prize of Indo-China: he expected to stay there for six months, but stayed the remainder of his life. Tardieu founded and directed the Indo-China Academy of Fine Art in Hanoi. Upon close examination, one notices Tardieu's differences from his contemporaries: his work is divided into several periods and several manners, sometimes very different from each other. Silhouette brushstrokes are a feature in his compositions, with a technique that combines the impression of Monet with the nimbleness of Marquet, clear in its palette. Between 1907 and 1913, while creating decorative work, he painted a great number of works, generally of small size, devoted to family life in the garden. These were often of his wife and their child (Jean Tardieu). Similar to this painting, they were intimate scenes that feature the play of the sun and the shade according to different hours in the day. These compositions combined Post-Impressionism and Fauvism.

 

 

Fernand Toussaint The Love Letter Oil on Canvas, 39 X 31 inches,

 

 

 

 

Manfred Trautschold 0 The Wedding Procession Oil on Canvas, 25 X 38 inches,  (1910)

The son of well known artist Carl Friedrich Wilhelm Trautschold, Manfred Trautschold was born on March 27, 1854 in Giessen, Germany. Like his father, Manfred was primarily a painter of happy genre scenes. Manfred was not a prolific painter, and it is uncertain when he died, but he flourished at the turn of the century. The Wedding Procession was painted in 1910, and is amongst the finest of Manfred's works. Its highly detailed and warm subject matter exemplifies the style for which Trautschold was admired.

 

 

 

 

Ernest Walbourn Feeding Time Oil on Canvas, 21 1/4 X 18 1/4 inches,

 

 

 

 

Hans Zatzka Summer Flowers on a Ledge Oil on canvas, 31 1/4 X 25 inches, Signed,

 

 

 

 

Raffaele Zeloni Invito Ballo Oil on Canvas, 22 X 32 inches, Signed,

 

 

 

 

Anna Zinkeisen Still Life of Flowers Oil on Canvas, 30 X 25 inches, Signed,

$ 28,000