Botanical Busybodies 30" x 40", oil on panel | Orange Crush 8" x 6", oil on panel |
| The Glitter of Gold 6" x 8", oil on panel |
| All on the Line 16" x 20", oil on panel |
| Summer Stroll 12" x 16", oil on panel |
| Stepping Through Magnolia Petals 24" x 36", oil on panel |
| Anticipation 8" x 10", oil on panel |
| What Dreams May Come 16" x 20", oil on panel |
| Sincere Desire 16" x 20", oil on panel |
| A Gentle Rain's Reward 16" x 20", oil on panel |
| The Best of Friends 20" x 16", oil on panel |
| Summer Sonata 20" x 24", oil on linen on panel |
| Branching Out 14" x 11", oil on linen on panel |
| Exquisite Entanglement 9" x 12", oil on panel |
| Carefree Beauty 9" x 12", oil on board |
| Lover's Lane 9" x 12", oil on panel |
| Splendor 6" x 8", oil on panel |
| A Daisy for the Lady 6" x 8", oil on panel |
| Filling the Air with Music 24" x 20", oil on board |
| Sweet Dreams 8" x 6", oil on panel |
| White River Bend 16" x 20", oil on linen on panel |
| Bedazzled 24" x 18", oil on linen on panel |
| First Love 24" x 30", oil on linen on panel |
| Fair Weather Friends 11" x 14", oil on linen on panel |
| In Good Company 24" x 30", oil on linen on panel |
| Garden Party 20" x 24", oil on linen on panel |
| Pretty in Pink 12" x 16", oil on board |
| Magnolias 10" x 8", oil on panel |
| Live Audience 16" x 20", oil on linen on panel |
| Soft Kiss' Blush 20" x 16", oil on linen on panel |
| Cherry Blossoms 12" x 16", oil on linen on panel |
"I strive for such excellence as will leave the collector without regret and consequently allow the subtleties and nuances of the painting to surface over time for the heightened enjoyment of the viewer, enhancing the intrinsic worth of the painting." Bill Inman grew up with an artist for a father and was therefore exposed to the art world at a young age. This exposure fostered an on-going thirst for knowledge on many levels. All aspects of a broad variety of visual medium have been skillfully studied, if not mastered: painting, printmaking, sculpture, illustration and graphic design, plus photography and art history. Bill has completed his studies toward a Master of Fine Arts degree in Painting. It is this quest for knowledge that synthesized his passion as a painter. Inman's color and design sense were begun under Kesler Woodward at the University of Alaska. Intensive study in painting, drawing, illustration, color and design were continued under Leon Parson at Rick's College in Rexburg, Idaho. But his most influential instructor at Rick's College was Arlo Coles (a good friend of Sergei Bongart) who ignited a passion for French and Russian Impressionist imagery and techniques. These influences on the landscape artist helped him combine the French and Russian qualities and mold them with his own personal style of color and depth, pulling the viewer into the landscapes. Having started as an en plein air painter Inman soon realized his preference was for studio work producing paintings that do not have any photographic resemblance. Inman wants as little detail as possible to convey an image but wants to concentrate on each element in his paintings. His desire is for the viewer to experience the same original enthusiasm that he experienced upon his first encounter with the subject matter. Gardens burst with colors of stately hollyhocks and fragrant roses. They are just within reach for the viewer. Inman stops painting detail when he believes that he has achieved the naturalism and emotive response he is seeking. One's eye completes the story started with brush and pigment. Bill Inman has exhibited consistently since 1983 when he was a Congressional Art Award recipient. This was a huge honor as only one artist from each state was selected for an exhibition that toured the Capital. In 1999 he was one of the featured artists in the Southwest Art Magazine "Artists to Watch" special section. He is in national and international collections too numerous to list. | 
