From Now On...

Richard Boyer 도심 거리 풍경 본문

책상서랍 속 앨범/그림

Richard Boyer 도심 거리 풍경

오렌지 향기 2020. 12. 31. 12:27

Balancing Act  /  oil

 

 

California & Stockton  /  oil

 

 

The Tower  /  oil

 

 

6th Avenue and Washington  /  oil

 

 

 

Jake's  /  oil

 

 

 

Minnesota  Ave  /  oil

 

A Break in the Weather   /  oil

 

 

 

 

 

 

 

 

Courthouse,  SW 6th Stop  /  oil

 

 

 

Oppede,  Provence  /  oil

 

 

 

Franklin & Wall  /  oil

 

 

 

Sail Repair  /  oil

 

 

Arrival in Stokholm  /  oil

 

 

Afternoon Light - Sanframcisco

 

 

 

 

 

 

5th Ave. & Stark -  Portland  /  oil

 

 

 

Pearl from Broadway Bridge  /  oil

 

 

 

Fishing Boat - Coos  Bay

 

 

 

End of the Work Day   /  oil

 

 

 

Lunchtime Cafe  /  oil

 

 

 

California Street  /  oil

 

 

 

Market Square  /  oil

 

 

 

Wall Street Summer  /  oil

 

 

 

Boats on the Oude Schans  /  oil 

 

 

 

Vacheres, Provence  /  oil

 

 

Windmills of Holland    /  oil

 

 

 

Loading the Boats - Brugge  /  oil

 

 

 

Loading Docks on the Willamette  /  oil

 

 

 

Al's Den - Portland  /  oil

 

 

 

Willamette  River  /  oil

 

 

 

Ankeny Alley  /  oil

 

 

 

After completing his BFA at the University of Utah in 1981, Richard Boyer lived in Germany where he studied language at the Universitaet Kiel. With Kiel as a home base, he traveled throughout Europe, Africa and the Middle East. He departed from Kiel in 1984 to pursue a Bohemian lifestyle with other German artists, painting the harsh reality of a city trapped behind the iron curtain. This exposure provided a rich backdrop for experimentation in painting styles.

Boyer divides his time between Utah and Sweden, the native home of his wife, Karin. He travels frequently throughout Europe and America and is forever searching for a new locations and intriguing subject matter. His landscapes reflect a traditional approach to oil painting, but are enhanced by a rich, textural quality. “Painting for me has been and always will be a lifelong journey of learning. As I see objects and record my ideas on the canvas, I realize there is so much more to painting than merely applying the pigment to the surface according to a preconceived formula. There is a learning process I am experiencing from one painting to the next, a quest for knowledge to know the subject on which I am working.”